From the lab
Notes from the lab on film looks, our own stocks, and what happens to a roll after you send it. Every entry ends with something you can load.
What a look is called, where it came from, and how to get it here.

Style guide · 9 Sept 2026
What the supermarket box of colour film does to yellow, red and blue, why it reads as memory, and the light it needs to work on a phone.

Style guide · 8 Sept 2026
A bright subject, a background that falls away, and a hard shadow on the wall behind. Where the look came from and how to shoot it here.

Style guide · 8 Sept 2026
Low contrast, light shadows, colour that never shouts. The light that makes a pastel portrait, the film that holds it, and what ruins it.

Style guide · 8 Sept 2026
Hard flash, warm colour, soft corners and framing nobody checked. What the look is made of, and how to get it on a roll here.
What each film does to skin, sky and night.

Stock notes · 8 Sept 2026
Greens, blues and cold daylight. What Verdi 400 does with foliage, wet tarmac, a pale sky and the last light of the day.

Stock notes · 8 Sept 2026
What Mira 400 does to skin, to a coloured wall, to grass and to hard sun, read off one public roll of fifteen frames.
How the lab works, and how a stock is made.
Rolls that came back, and what is in them.
RSS · New entries most weeks.